Rumours (album) - Wikipedia

Rumours is the eleventh studio album by British-American rock band Fleetwood Mac, released on 4 February 1977 by Warner Bros. Records. Rumours(album) FromWikipedia,thefreeencyclopedia Jumptonavigation Jumptosearch ThisarticleisaboutthealbumbyFleetwoodMac.ForthealbumbyArrogance,seeRumors(album).Forotheruses,seeRumor(disambiguation). 1977studioalbumbyFleetwoodMacRumoursStudioalbumbyFleetwoodMacReleased4 February 1977 (1977-02-04)RecordedFebruary–August1976Studio Criteria,Miami RecordPlant,SausalitoandLosAngeles ZellerbachAuditorium,Berkeley WallyHeider,LosAngeles Davlen,NorthHollywood Genre Poprock softrock folkrock Length39:43LabelWarnerBros.Producer FleetwoodMac KenCaillat RichardDashut FleetwoodMacchronology FleetwoodMac(1975) Rumours(1977) Tusk(1979) SinglesfromRumours "GoYourOwnWay"Released:December1976 "Dreams"Released:24March1977 "Don'tStop"Released:April1977 "YouMakeLovingFun"Released:September1977 RumoursistheeleventhstudioalbumbyBritish-AmericanrockbandFleetwoodMac,releasedon4February1977byWarnerBros.Records.LargelyrecordedinCaliforniain1976,itwasproducedbythebandwithKenCaillatandRichardDashut.Thebandwantedtoexpandonthecommercialsuccessoftheirself-titled1975album.Thegrouprecordedthealbumintheaftermathofrelationshipbreakupsamongitsmembersandheavydruguse,bothofwhichshapedthealbum'slyrics. Recordedwiththeintentionofmaking"apopalbum",thealbum'smusicincludedconsiderablepoprocksounds,characterizedbyaccentedrhythmsandelectrickeyboardssuchastheFenderRhodesandHammondB3organ.Thealbumwaspostponedbydelaysinthemixingprocess.Followingthealbum'srelease,FleetwoodMacundertookworldwidepromotionaltours.Rumoursbecametheband'sfirstnumber-onealbumontheUKAlbumsChartandalsotoppedtheUSBillboard200.Thesongs"GoYourOwnWay","Dreams","Don'tStop",and"YouMakeLovingFun"werereleasedassingles,allofwhichreachedtheUStop10,with"Dreams"reachingnumberone. Rumourswasaninstantcommercialsuccess,sellingover10 millioncopiesworldwidewithinjustamonthofitsrelease.Itgarneredwidespreadacclaimfromcritics,withpraisecentredonitsproductionqualityandharmonies,whichfrequentlyreliedontheinterplayamongthreevocalistsandhasinspiredtheworkofmusicalactsindifferentgenres.ItwonAlbumoftheYearatthe1977GrammyAwards.Ithassoldover40millioncopiesworldwide,makingitoneofthebest-sellingalbumsofalltime.Domestically,ithasreceivedDiamondcertificationsinseveralcountries,includingtheUK,Canada,andAustralia,andhasbeencertified20×platinumintheUS. OftenconsideredFleetwoodMac'smagnumopus,Rumourshasfrequentlybeencitedasoneofthegreatestalbumsofalltime.In2004,Rumourswasremasteredandreissuedwiththeadditionof"SilverSprings",whichhadbeenexcludedfromtheoriginal,andabonusCDofouttakesfromtherecordingsessions.In2003,itwasinductedintotheGrammyHallofFame.[1]In2018,itwasselectedforpreservationintheNationalRecordingRegistry,beingdeemed"culturally,historically,orartisticallysignificant"bytheLibraryofCongress.[2]In2020,Rumourswasratedtheseventh-greatestalbumofalltimeinRollingStone'slistofthe"500GreatestAlbumsofAllTime".[3] Contents 1Background 2Recording 3Promotionandrelease 4Composition 4.1Lyrics 4.2Music 5Criticalreception 6Commercialperformance 7Legacy 8Tracklisting 9Personnel 10Charts 10.1Weeklycharts 10.2Year-endcharts 11Certificationsandsales 12References 13Bibliography 14Externallinks Background[edit] InJuly1975,FleetwoodMac'seponymoustenthalbumwasreleasedtogreatcommercialsuccess,reachingNo.1intheU.S.in1976.Therecord'sbiggesthitsingle,"Rhiannon",gavethebandextensiveradioexposure.Atthetime,FleetwoodMac'sline-upconsistedofguitaristandvocalistLindseyBuckingham,drummerMickFleetwood,keyboardplayerandvocalistChristineMcVie,bassguitaristJohnMcVie,andvocalistStevieNicks.Aftersixmonthsofnon-stoptouring,theMcViesdivorced,endingeightyearsofmarriage.[4][5]Thecouplestoppedtalkingtoeachothersociallyanddiscussedonlymusicalmatters.[6]BuckinghamandNicks—whohadjoinedthebandbefore1975'sFleetwoodMacafterguitaristBobWelchhadleft[7]—werehavinganon/offrelationshipthatledthemtofightoften.Theduo'sargumentsstoppedonlywhentheyworkedonsongstogether.[8]FleetwoodfaceddomesticproblemsofhisownafterdiscoveringthathiswifeJenny,motherofhistwochildren,hadhadanaffairwithhisbestfriend.[9] Pressintrusionsintothebandmembers'livesledtoinaccuratestories.ChristineMcViewasreportedtohavebeeninthehospitalwithaseriousillness,whileBuckinghamandNicksweredeclaredtheparentsofFleetwood'sdaughterLucyafterbeingphotographedwithher.ThepressalsowroteaboutarumouredreturnoforiginalFleetwoodMacmembersPeterGreen,DannyKirwan,andJeremySpencerfora10thanniversarytour.[10]Despitefalsereports,thebanddidnotchangeitslineup,althoughitsmembershadnotimetocometotermswiththeseparationsbeforerecordingforanewalbumbegan.[6]Fleetwoodhasnotedthe"tremendousemotionalsacrifices"madebyeveryonejusttoattendstudiowork.[11]Inearly1976,FleetwoodMaccraftedsomenewtracksinFlorida.[12]FoundingmembersFleetwoodandJohnMcViechosetodispensewiththeservicesoftheirpreviousproducer,KeithOlsen,becausehefavouredaloweremphasisontherhythmsection.TheduoformedacompanycalledSeedyManagementtorepresenttheband'sinterests.[13] Recording[edit] RumourswaslargelyrecordedinSausalito'sRecordPlant,awoodenstructurewithfewwindows,locatedat2200MarinshipWay. FleetwoodMac'sfemalememberslivedintwoofSausalito'sseafrontproperties,whilethemenresidedattheRecordPlant'shillsideaccommodation. InFebruary1976,FleetwoodMacconvenedattheRecordPlantinSausalito,California,withhiredengineersKenCaillatandRichardDashut.Productiondutiesweresharedbythethreeparties,whilethemoretechnicallyadeptCaillatwasresponsibleformostoftheengineering;hetookaleaveofabsencefromWallyHeiderStudiosinLosAngelesonthepremisethatFleetwoodMacwouldeventuallyusetheirfacilities.[14]Theset-upinSausalitoincludedanumberofsmallrecordingroomsinalarge,windowless,woodenbuilding.Mostbandmemberscomplainedaboutthestudioandwantedtorecordattheirhomes,butFleetwooddidnotallowanymoves.[15]ChristineMcVieandNicksdecidedtoliveintwocondominiumsnearthecity'sharbour,whilethemalecontingentstayedatthestudio'slodgeintheadjacenthills.[16]Recordingoccurredinasix-by-nine-metreroomwhichincludeda3M24-tracktapemachine,arangeofhigh-qualitymicrophones,andanAPImixingconsolewith550Aequalisers;thelatterwereusedtocontrolfrequencydifferencesoratrack'stimbre.AlthoughCaillatwasimpressedwiththeset-up,hefeltthattheroomlackedambiencebecauseofits"verydeadspeakers"andlargeamountsofsoundproofing.[14] Therecord'sworkingtitleinSausalitowasYesterday'sGone.[17]Buckinghamtookchargeofthestudiosessionstomake"apopalbum".[18]AccordingtoDashut,whileFleetwoodandtheMcViescamefromanimprovisationalblues-rockbackground,theguitaristunderstood"thecraftofrecordmaking".[19]Duringtheformativestagesofcompositions,BuckinghamandChristineMcVieplayedguitarandpianotogethertocreatethealbum'sbasicstructures.ThelatterwastheonlyclassicallytrainedmusicianinFleetwoodMac,butbothsharedasimilarsenseofmusicality.[20]Whenthebandjammed,Fleetwoodoftenplayedhisdrumkitoutsidethestudio'spartitionscreentobettergaugeCaillat'sandDashut'sreactionstothemusic'sgroove.[21]BaffleswereplacedaroundthedrumsandaroundJohnMcVie,whoplayedhisbassguitarfacingFleetwood.Buckinghamperformedclosetotherhythmsection,whileChristineMcVie'skeyboardswerekeptawayfromthedrumkit.CaillatandDashutspentaboutninedaysworkingwitharangeofmicrophonesandamplifierstogetalargersound,beforediscoveringtheycouldadjustthesoundeffectivelyontheAPImixingconsole.[14] Asthestudiosessionsprogressed,thebandmembers'newintimaterelationshipsthatformedaftervariousseparationsstartedtohaveanegativeeffectonFleetwoodMac.[22][23]ThemusiciansdidnotmeetorsocialiseaftertheirdailyworkattheRecordPlant.Atthetime,thehippiemovementstillaffectedSausalito'scultureanddrugswerereadilyavailable.Open-endedbudgetsenabledthebandandtheengineerstobecomeself-indulgent;[15][24]sleeplessnightsandtheextensiveuseofcocainemarkedmuchofthealbum'sproduction.[11]ChrisStone,oneoftheRecordPlant'sowners,indicatedin1997thatFleetwoodMacbrought"excessatitsmostexcessive"bytakingoverthestudioforlongandextremelyexpensivesessions;hestated,"Thebandwouldcomeinat7 at night,haveabigfeast,partytill 1 or 2inthemorning,andthenwhentheyweresowhacked-outtheycouldn'tdoanything,they'dstartrecording".[25] "Trauma,Trau-ma.Thesessionswerelikeacocktailpartyeverynight—peopleeverywhere.Weendedupstayingintheseweirdhospitalrooms...andofcourseJohnandmewerenotexactlythebestoffriends."[4] —ChristineMcVie,ontheemotionalstrainwhenmakingRumoursinSausalito NickshassuggestedthatFleetwoodMaccreatedthebestmusicwhenintheworstshape,[24]while,accordingtoBuckingham,thetensionsbetweenbandmembersinformedtherecordingprocessandledto"thewholebeingmorethanthesumoftheparts".[23]Thecouple'sworkbecame"bittersweet"aftertheirfinalsplit,althoughBuckinghamstillhadaskillfortakingNicks'tracksand"makingthembeautiful".[26]ThevocalharmoniesbetweentheduoandChristineMcVieworkedwellandwerecapturedusingthebestmicrophonesavailable.[14]Nicks'lyricalfocusallowedtheinstrumentalsinthesongsthatshewrotetobelooserandmoreabstract.[27]AccordingtoDashut,alltherecordingscaptured"emotionandfeelingwithoutamiddleman ...ortempering".[9]JohnMcVietendedtoclashwithBuckinghamaboutthemake-upofsongs,butbothadmittoachievinggoodoutcomes.[28]ChristineMcVie's"Songbird",whichCaillatfeltneededaconcerthall'sambience,wasrecordedduringanall-nightsessionatZellerbachAuditoriuminBerkeley,acrossSanFranciscoBayfromSausalito.[29] FollowingovertwomonthsinSausalito,Fleetwoodarrangedaten-daytourtogivethebandabreakandgetfanfeedback.Aftertheconcerts,recordingresumedatvenuesinLosAngeles,[13]includingWallyHeiderStudios.ChristineMcVieandNicksdidnotattendmostofthesessionsandtooktimeoffuntiltheywereneededtorecordanyremainingvocals.TherestofFleetwoodMac,withCaillatandDashut,struggledtofinalisetheoverdubbingandmixingofRumoursaftertheSausalitotapesweredamagedbyrepeateduseduringrecording;thekickandsnaredrumaudiotrackssounded"lifeless".[14]Asell-outautumntouroftheUSwascancelledtoallowthecompletionofthealbum,[4]whosescheduledreleasedateofSeptember1976waspushedback.[30]AspecialistwashiredtorectifytheSausalitotapesusingavari-speedoscillator.Throughapairofheadphoneswhichplayedthedamagedtapesinhisleftearandthesafetymasterrecordingsinhisright,heconvergedtheirrespectivespeedsaidedbythetimingsprovidedbythesnareandhi-hataudiotracks.[14]FleetwoodMacandtheirco-producerswanteda"no-filler"finalproduct,inwhicheverytrackseemedapotentialsingle.Afterthefinalmasteringstageandhearingthesongsback-to-back,thebandmemberssensedtheyhadrecordedsomething"prettypowerful".[31] Promotionandrelease[edit] StevieNicksandLindseyBuckingham,herephotographedin2003,wereintegraltothesongwritingonFleetwoodMacandRumours. Inautumn1976,whilestillrecording,FleetwoodMacshowcasedtracksfromRumoursattheUniversalAmphitheatreinLosAngeles.[4]JohnMcViesuggestedthealbumtitletothebandbecausehefeltthememberswerewriting"journalsanddiaries"abouteachotherthroughmusic.[32]WarnerBros.confirmedthereleasedetailstothepressinDecemberandchose"GoYourOwnWay"asaDecember1976promotionalsingle.[33][34]Thelabel'saggressivemarketingof1975'sFleetwoodMac,inwhichlinkswithdozensofFMandAMradiostationswereformedacrossAmerica,aidedthepromotionofRumours.[35]Atthetime,thealbum'sadvanceorderof800,000 copieswasthelargestinWarnerBros.'history.[36] Rumourswasreleasedon4February1977intheUS,andaweeklaterintheUK.[37][38]ThefrontcoverfeaturesastylisedshotofFleetwoodandNicksdressedinher"Rhiannon"stagepersona,whilethebackhasamontageofbandportraits;allthephotographsweretakenbyHerbertWorthington.[21]On28February1977,afterrehearsingatSIR StudiosinLosAngeles,FleetwoodMacstartedaseven-month-longpromotionaltourofAmerica.[37]Nickshasnotedthat,afterperformingmostlyRumourssongsduringgigs,thebandinitiallyencounteredpoorreceptionsfromfanswhowerenotaccustomedtothenewmaterial.[39]Aone-offMarchperformanceatabenefitconcertforUnitedStatesSenatorBirchBayhinIndianawasfollowedbyashortEuropeantouroftheUK,theNetherlands,France,andGermanyinApril.[4][40]NigelWilliamsonofUncutcalledFleetwoodMac'sperformances"rock'sgreatestsoapopera".[41]"Dreams",releasedinMarch1977,becametheband'sonlynumberoneontheUSBillboardHot100inJune.[42] Composition[edit] Lyrics[edit] FleetwoodMac'smainwriters—Buckingham,ChristineMcVieandNicks—workedindividuallyonsongsbutsometimessharedlyricswitheachother."TheChain"istheonlytrackonwhichallmembers,includingFleetwoodandJohnMcVie,collaborated.AllsongsonRumoursconcernpersonal,oftentroubledrelationships.[21]AccordingtoChristineMcVie,thefactthatthelyricistswerefocusingonthevariousseparationsbecameapparenttothebandonlyinhindsight.[32]"YouMakeLovingFun"isaboutherboyfriend,FleetwoodMac'slightingdirector,whomshedatedaftersplittingfromJohn.[22]Nicks'"Dreams"detailsabreakupandhasahopefulmessage,whileBuckingham'ssimilareffortin"GoYourOwnWay"ismorepessimistic.[43]AfterashortflingwithaNewEnglandwoman,hewasinspiredtowrite"NeverGoingBackAgain",asongabouttheillusionofthinkingthatsadnesswillneveroccuragainoncecontentwithlife.Thelines"Beendownonetime/Beendowntwotimes"refertothelyricist'seffortswhenpersuadingthewomantogivehimachance.[21] "Don'tStop"(0:19) Thelyricsof"Don'tStop"areabouthavinganoptimisticoutlookonlife.Inspiredbythetriplestep,thesongcontainsmusicfrombothnormalandpreparedpianos.[21] Problemsplayingthisfile?Seemediahelp. "Don'tStop",writtenbyChristineMcVie,isasongaboutoptimism.ShenotedthatBuckinghamhelpedhercrafttheversesbecausetheirpersonalsensibilitiesoverlapped.[21]McVie'snexttrack,"Songbird",featuresmoreintrospectivelyricsabout"nobodyandeverybody"intheformof"alittleprayer".[44]"OhDaddy",thelastMcViesongonthealbum,waswrittenaboutFleetwoodandhiswifeJennyBoyd,whohadjustgotbacktogether.[45][46][47]Theband'snicknameforFleetwoodwas"theBigDaddy".[21]McViecommentedthatthewritingisslightlysarcasticandfocusesonthedrummer'sdirectionforFleetwoodMac,whichalwaysturnedouttoberight.Nicksprovidedthefinallines"AndIcan'twalkawayfromyou,baby/IfItried".Herownsong"GoldDustWoman"isinspiredbyLosAngelesandthehardshipencounteredinsuchacity.[21]Afterstrugglingwiththerocklifestyle,Nicksbecameaddictedtococaine;thelyricsaddressherbeliefin"keepinggoing".[48] Music[edit] Featuringasoftrockandpoprocksound,[49][50]Rumoursisbuiltaroundamixofacousticandelectricinstrumentation.Buckingham'sguitarworkandChristineMcVie'suseofFenderRhodespianoorHammondB-3organarepresentonallbuttwotracks.Therecordoftenincludesstresseddrumsoundsanddistinctivepercussionsuchascongasandmaracas.Itopenswith"SecondHandNews",originallyanacousticdemotitled"Strummer".AfterhearingBeeGees'"JiveTalkin'",Buckinghamandco-producerDashutbuiltupthesongwithfouraudiotracksofelectricguitarandtheuseofchairpercussiontoevokeCelticrock."Dreams"includes"etherealspaces"andarecurringtwonotepatternonthebassguitar.[21]Nickswrotethesonginanafternoonandledthevocals,whilethebandplayedaroundher.ThethirdtrackonRumours,"NeverGoingBackAgain",beganas"Brushes",asimpleacousticguitartuneplayedbyBuckingham,withsnarerollsbyFleetwoodusingbrushes;thebandaddedvocalsandfurtherinstrumentalaudiotrackstomakeitmorelayered.[51][52]Inspiredbytriplestepdancingpatterns,"Don'tStop"includesbothconventionalacousticandtackpiano.Inthelatterinstrument,nailsareplacedonthepointswherethehammershitthestrings,producingamorepercussivesound."GoYourOwnWay"ismoreguitar-orientedandhasafour-to-the-floordancebeatinfluencedbyTheRollingStones'"StreetFightingMan".Thealbum'spaceslowsdownwith"Songbird",conceivedsolelybyChristineMcVieusinganine-footSteinwaypiano.[21] "GoldDustWoman"(0:29) "GoldDustWoman"isinfluencedbyjazzandfeaturesadobro.[21]Thesong'slyricsfocusonNicks'strugglewithcocaineaddiction.[48] SidetwoofRumoursbeginswith"TheChain",oneoftherecord'smostcomplicatedcompositions.AChristineMcViedemo,"KeepMeThere",[21]andaNickssongwerere-cutinthestudioandwereheavilyeditedtoformpartsofthetrack.[53]Thewholeofthebandcraftedtherestusinganapproachakintocreatingafilmscore;JohnMcVieprovidedaprominentsolousingafretlessbassguitar,whichmarkedaspeedingupintempoandthestartofthesong'sfinalthird.InspiredbyR&B,"YouMakeLovingFun"hasasimplercompositionandfeaturesaclavinet,aspecialtypeofkeyboardinstrument,whiletherhythmsectionplaysinterlockingnotesandbeats.TheninthtrackonRumours,"IDon'tWanttoKnow",makesuseofatwelvestringguitarandharmonisingvocals.InfluencedbythemusicofBuddyHolly,BuckinghamandNickscreateditin1974beforetheywereinFleetwoodMac."OhDaddy"wascraftedspontaneouslyandincludesimprovisedbassguitarpatternsfromJohnMcVieandkeyboardblipsfromChristineMcVie.Thealbumendswith"GoldDustWoman",asonginspiredbyfreejazz,whichhasmusicfromaharpsichord,aFenderStratocasterguitar,andadobro,anacousticguitarwhosesoundisproducedbyoneormoremetalcones.[21] Criticalreception[edit] ProfessionalratingsAggregatescoresSourceRatingMetacritic99/100(deluxeversion)[54]ReviewscoresSourceRatingAllMusic[55]Blender[56]Christgau'sRecordGuideA[57]EntertainmentWeeklyA[58]TheIndependent[59]Mojo[60]Pitchfork10/10[61]RollingStone[62]TheRollingStoneAlbumGuide[63]Uncut[64] Rumourshasbeenacclaimedbymusiccriticssinceitsrelease.RobertChristgau,reviewinginTheVillageVoice,describeditas"moreconsistentandmoreeccentric"thanitspredecessor.Headdedthatit"jumpsrightoutofthespeakersatyou".[65]RollingStonemagazine'sJohnSwensonbelievedtheinterplayamongthethreevocalistswasoneofthealbum'smostpleasingelements;hestated,"Despitetheinterminabledelayinfinishingtherecord,RumoursprovesthatthesuccessofFleetwoodMacwasnofluke."[66]InareviewforTheNewYorkTimes,JohnRockwellsaidthealbumis"adelightfuldisk,andonehopesthepublicthinksso,too",[67]whileDaveMarshoftheSt.PetersburgTimesclaimedthesongsare"asgrandlyglossyasanythingrightnow".[68]RobertHilburnwaslessreceptiveandcalledRumoursa"frustratinglyuneven"recordinhisreviewfortheLosAngelesTimes,[69]whileJuanRodriguezofTheGazettesuggestedthat,whilethemusicis"crisperandclearer",FleetwoodMac'sideasare"slightlymoremuddled".[70]ThealbumfinishedfourthinTheVillageVoice's1977Pazz&Jopcritics'poll,whichaggregatedthevotesofhundredsofprominentreviewers.[71] Inaretrospectivereview,AllMusiceditorStephenThomasErlewinegaveRumoursfivestarsandnotedthat,regardlessofthevoyeuristicelement,therecordwas"anunparalleledblockbuster"becauseofthemusic'squality;heconcluded,"Eachtune,eachphraseregainsitsraw,immediateemotionalpower—whichiswhyRumourstouchedanerveuponits1977release,andhassincetranscendeditseratobeoneofthegreatest,mostcompellingpopalbumsofalltime."[55]AccordingtoSlantMagazine'sBarryWalsh,FleetwoodMacdrewonromanticdysfunctionandpersonalturmoiltocreateatimeless,five-starrecord,[72]whileAndyGillofTheIndependentclaimedit"represents,alongwithTheEaglesGreatestHits,thehigh-watermarkofAmerica'sSeventiesrock-cultureexpansion,thequintessenceofacounter-culturalmindsetluredintocoke-fuelledhedonism".[59]In2007,theBBC'sDarylEaslealabelledthesonicresultsas"nearperfect","likeathousandangelskissingyousweetlyontheforehead",[73]whilePatrickMcKayofStylusMagazinewrote,"WhatdistinguishesRumours—whatmakesitart—isthecontradictionbetweenitscheerfulsurfaceanditsanguishedheart.Hereisaradio-friendlyrecordaboutanger,recrimination,andloss."[74] Commercialperformance[edit] RumourswasahugecommercialsuccessandbecameFleetwoodMac'ssecondUSnumber-onerecord,followingthe1975eponymousrelease.[42]ItstayedatthetopoftheBillboard 200for31 non-consecutiveweeks,[17]whilealsoreachingnumberoneintheUnitedKingdom,Australia,Canada,[40]andNewZealand.[75]InMay2011itre-enteredBillboard200chartatnumber11,andtheAustralianARIAchartatnumber2,duetoseveralsongsfromthealbumbeingusedforthe"Rumours"episodeoftheAmericanTVseriesGlee.[76][77]Itre-enteredtheBillboard200topteninOctober2020inthewakeofaviralTikTokbyNathanApodacawhichshowedhimskateboardingwhile"Dreams"played,evenpromptingMickFleetwoodandStevieNickstocreatesimilarvideos.[78][79]ThealbumwascertifiedplatinuminAmericaandtheUKwithinmonthsofreleaseafterone millionunitsand300,000 unitswereshipped,respectively.[80][81]AllthreemajorUStradepublications—Billboard,CashBox,andRecordWorld—nameditAlbumoftheYearfor1977.[82]Afteradebutatnumberseven,RumourspeakedatthetopoftheUKAlbumsChartinJanuary1978,becomingFleetwoodMac'sfirstnumberonealbuminthecountry.[83]InFebruary,thebandandco-producersCaillatandDashutwonthe1978GrammyAwardforAlbumoftheYear.[42]ByMarch,thealbumhadsoldover10 millioncopiesworldwide,includingovereight millionintheUSalone.[82] By1980,13millioncopiesofRumourshadbeensoldworldwide.[84]Asof2017,saleswereover40millioncopies.[85][45]AsofOctober2019[update],Rumourshasspent800weeksintheUKTop100albumchartandisthe11thbest-sellingalbuminUKhistoryandiscertified14× platinumbytheBritishPhonographicIndustry,theequivalentof4.2millionunitsshipped.[81]TherecordhasreceivedaDiamondAwardfromtheRecordingIndustryAssociationofAmericafora20× platinumcertificationor20 millioncopiesshipped,makingit,asof2021[update],tiedfortheeleventhhighestcertifiedalbuminUShistory(bynumberofcopiesshipped).[86]RumourswastheUK'sbestsellingalbumonvinylduring2020,withtheOfficialChartsCompanyconfirming32,500annualsalesintheformat.[87] Legacy[edit] MickFleetwoodhascalledRumours"themostimportantalbumweevermade",becauseitssuccessallowedthegrouptocontinuerecordingforyearstocome.[88]PopculturejournalistChuckKlostermanlinkstherecord'ssalesfigurestoits"reallylikablesongs"butsuggeststhat"nojustificationforgreatness"isintrinsicallyprovidedbythem.[89]TheGuardiancollatedworldwidedatain1997fromarangeofrenownedcritics,artists,andradioDJs,whoplacedtherecordatnumber 78inthelistofthe100BestAlbumsEver.[90]In1998,Legacy:ATributetoFleetwoodMac'sRumourswasproducedbyFleetwoodandreleased.TherecordcontainedeachsongoftheoriginalRumourscoveredbyadifferentactinfluencedbyit.AmongthemusiciansinvolvedwerealternativerockbandsTonic,Matchbox20,andGooGooDolls,CelticrockgroupsTheCorrsandTheCranberries,andsinger-songwritersEltonJohn,DuncanSheik,andJewel.[91]OtherdiverseactsinfluencedbyRumoursincludebaroquepopartistToriAmos,[92]hardrockgroupSaliva,[93]indierockbandDeathCabforCutie,[94]andartpopsingerLorde,whocalledita"perfectrecord".[95] "TherewasatimewhenFleetwoodMac'sRumourswasjustseenasanalbumthatsoldincrediblywell;overthepastfiveyears,though,it'sbecomemoreacceptabletoclassifyRumoursasgreatinandofitself."[89] —ChuckKlostermanin2004,onrecognitionfortherecord In1998,QplacedRumoursatnumberthree—behindTheClash'sLondonCallingandPinkFloyd'sTheDarkSideoftheMoon—initslistof50 BestAlbumsofthe 70s.[96]In1999,Vibefeatureditasoneof100 EssentialAlbumsofthe20th Century.[97]In2001,VH1rankedtherecordatnumber 16duringits100 GreatestAlbumscountdown,[89]whileSlantincludeditasoneof50 EssentialPopAlbums.[98]Thesameyear,USATodayplacedRumoursatnumber 23initsTop40 Albumslist,[99]whileRollingStonerankeditatnumber 25initsspecialissueof"The500 GreatestAlbumsofAllTime",thehighestFleetwoodMacrecord,[100]and26ina2012revisedlist.[101]In2000itwasvotednumber31inColinLarkin'sAllTimeTop1000Albums.[102]In2006,TimenameditinitsAll-TIME100 Albumsshortlist,[103]whileMojofeatureditinitsunnumberedlist of 70fromthe1970s:Decade'sGreatestAlbums.[104]TherecordisincludedinbothTheGuardian's"1000 AlbumstoHearBeforeYouDie"andthebook1001 AlbumsYouMustHearBeforeYouDie.[105][106]Forthe2013reissueofthealbum,Pitchfork'sJessicaHoppergavethealbumarare10outof10,earningita"bestnewreissue"designation.[61] Tracklisting[edit] SideoneNo.TitleWriter(s)LeadvocalsLength1."SecondHandNews"LindseyBuckinghamBuckingham2:562."Dreams"StevieNicksNicks4:183."NeverGoingBackAgain"BuckinghamBuckingham2:144."Don'tStop"ChristineMcVieC.McViewithBuckingham3:135."GoYourOwnWay"BuckinghamBuckingham3:436."Songbird"C.McVieC.McVie3:20 SidetwoNo.TitleWriter(s)LeadvocalsLength1."TheChain"BuckinghamMickFleetwoodC.McVieJohnMcVieNicksBuckinghamwithC.McVieandNicks4:302."YouMakeLovingFun"C.McVieC.McVie3:313."IDon'tWanttoKnow"NicksNickswithBuckingham3:154."OhDaddy"C.McVieC.McVie3:565."GoldDustWoman"NicksNicks4:56 Remasteredandreissuedversion2004No.TitleWriter(s)LeadvocalsLength12."SilverSprings"NicksNicks4:48Totallength:44:06 Personnel[edit] Adaptedfromthealbum'screditsandAllMusic.[21][55][107] FleetwoodMac LindseyBuckingham–vocals,guitars,dobro,percussion StevieNicks–vocals ChristineMcVie–vocals,keyboards,synthesizer JohnMcVie–bassguitar MickFleetwood–drums,percussion,electricharpsichordon"GoldDustWoman" Production KenCaillat–producer,engineer RichardDashut–producer,engineer FleetwoodMac–producers ChrisMorris–assistantengineer KenPerry–mastering CharlieWatts–mastering Artwork DesmondStrobel–design LarryVigon–calligraphy HerbertW.Worthington–photography Charts[edit] Weeklycharts[edit] WeeklychartperformanceforRumours Chart(1977–2022) Peakposition AustralianAlbums(ARIA)[108] 2 AustralianAlbums(KentMusicReport)[40] 1 AustrianAlbums(Ö3Austria)[109] 25 BelgianAlbums(UltratopFlanders)[110] 13 BelgianAlbums(UltratopWallonia)[111] 62 CanadianAlbums(Billboard)[112] 5 CanadianAlbums(RPM)[113] 1 DanishAlbums(Hitlisten)[114] 23 DutchAlbums(AlbumTop100)[115] 1 FrenchAlbums(SNEP)[116] 116 GermanAlbums(OffizielleTop100)[117] 6 HungarianAlbums(MAHASZ)[118] 20 JapaneseAlbums(Oricon)[119] 33 NewZealandAlbums(RMNZ)[120] 1 NorwegianAlbums(VG-lista)[121] 17 SouthAfricanAlbumsChart[82] 1 PortugueseAlbums(AFP)[122] 41 SwedishAlbums(Sverigetopplistan)[123] 18 SwissAlbums(SchweizerHitparade)[124] 37 UKAlbums(OCC)[125] 1 USBillboard200[126] 1 USTopCatalogAlbums(Billboard)[127] 1 USTopRockAlbums(Billboard)[128] 2 Year-endcharts[edit] Year-endchartperformanceforRumours Chart(1977) Position AustralianAlbums(KentMusicReport)[129] 3 DutchAlbums(AlbumTop100)[130] 2 UKAlbums(OCC)[131] 5 USBillboard200[132] 1 Chart(1978) Position AustralianAlbums(KentMusicReport)[133] 7 DutchAlbums(AlbumTop100)[134] 17 NewZealandAlbums(RMNZ)[135] 7 USBillboard200[136] 3 Chart(2011) Position UKAlbums(OCC)[137] 170 Chart(2013) Position AustralianAlbums(ARIA)[138] 78 BelgianAlbums(UltratopFlanders)[139] 159 UKAlbums(OCC)[140] 51 Chart(2014) Position UKAlbums(OCC)[141] 100 Chart(2016) Position UKAlbums(OCC)[142] 71 Chart(2017) Position UKAlbums(OCC)[143] 44 USBillboard200[144] 155 USTopRockAlbums(Billboard)[145] 23 Chart(2018) Position AustralianAlbums(ARIA)[146] 99 UKAlbums(OCC)[147] 48 USBillboard200[148] 91 USTopRockAlbums(Billboard)[149] 9 Chart(2019) Position BelgianAlbums(UltratopFlanders)[150] 65 UKAlbums(OCC)[151] 30 USBillboard200[152] 90 USTopRockAlbums(Billboard)[153] 13 Chart(2020) Position AustralianAlbums(ARIA)[154] 27 BelgianAlbums(UltratopFlanders)[155] 91 CanadianAlbums(Billboard)[156] 47 DutchAlbums(AlbumTop100)[157] 49 IrishAlbums(IRMA)[158] 10 NewZealandAlbums(RMNZ)[159] 18 SwedishAlbums(Sverigetopplistan)[160] 59 UKAlbums(OCC)[161] 14 USBillboard200[162] 53 USTopRockAlbums(Billboard)[163] 3 Chart(2021) Position AustralianAlbums(ARIA)[164] 21 BelgianAlbums(UltratopFlanders)[165] 53 CanadianAlbums(Billboard)[166] 30 DanishAlbums(Hitlisten)[167] 64 DutchAlbums(AlbumTop100)[168] 36 IrishAlbums(IRMA)[169] 14 NewZealandAlbums(RMNZ)[170] 12 SwedishAlbums(Sverigetopplistan)[171] 50 UKAlbums(OCC)[172] 17 USBillboard200[173] 34 USTopRockAlbums(Billboard)[174] 3 Certificationsandsales[edit] SalescertificationsforRumours Region Certification Certifiedunits/sales Australia(ARIA)[176] 13×Platinum 950,000[175] Canada(MusicCanada)[177] 2×Diamond 2,000,000^ Denmark(IFPIDanmark)[178] 2×Platinum 40,000 France(SNEP)[179] Platinum 300,000* Germany(BVMI)[180] 5×Gold 1,250,000^ HongKong(IFPIHongKong)[181] Platinum 20,000* Ireland — 2,000[182] Italy(FIMI)[183]salessince2009 Gold 25,000 Netherlands(NVPI)[185] Platinum 165,000[184] NewZealand(RMNZ)[186] 13×Platinum 195,000^ Spain(PROMUSICAE)[187] Gold 50,000^ UnitedKingdom(BPI)[188] 15×Platinum 4,500,000 UnitedStates(RIAA)[189] 2×Diamond 20,000,000^ Summaries Worldwide — 40,000,000[45] *Salesfiguresbasedoncertificationalone.^Shipmentsfiguresbasedoncertificationalone.Sales+streamingfiguresbasedoncertificationalone. SalescertificationsforClassicAlbums:Rumours Region Certification Certifiedunits/sales Australia(ARIA)[190] 2×Platinum 30,000^ NewZealand(RMNZ)[191] 2×Platinum 10,000^ UnitedKingdom(BPI)[192] Gold 25,000* *Salesfiguresbasedoncertificationalone.^Shipmentsfiguresbasedoncertificationalone. 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Bibliography[edit] Brackett,Donald(2007).FleetwoodMac:40YearsofCreativeChaos.GreenwoodPublishingGroup.ISBN 978-0-275-99338-2. Brunning,Bob(2004).TheFleetwoodMacStory:RumoursandLies.OmnibusPress.ISBN 1-84449-011-4. Caillat,Ken&Stiefel,Steven(2012).MakingRumours:TheInsideStoryoftheClassicFleetwoodMacAlbum.JohnWiley&Sons,Inc.ISBN 978-1-118-21808-2. FleetwoodMac;KenCaillat;RichardDashut(2004).ClassicAlbums–FleetwoodMac:Rumours(DVD).EagleRockEntertainment. Rooksby,Rikky(2005).FleetwoodMac:TheCompleteGuidetoTheirMusic.OmnibusPress.ISBN 1-84449-427-6. Externallinks[edit] RumourslyricsatRhapsody Rumourspromotionatthe12February1977[Vol.89,No.6]issueofBillboardviaGoogleBooks vteFleetwoodMac MickFleetwood JohnMcVie ChristineMcVie StevieNicks MikeCampbell NeilFinn BobBrunning PeterGreen JeremySpencer DannyKirwan BobWelch DaveWalker BobWeston LindseyBuckingham BillyBurnette RickVito BekkaBramlett DaveMason Studioalbums FleetwoodMac Mr.Wonderful ThenPlayOn KilnHouse FutureGames BareTrees Penguin MysterytoMe HeroesAreHardtoFind FleetwoodMac Rumours Tusk Mirage TangointheNight BehindtheMask Time SayYouWill EPs ExtendedPlay Compilations EnglishRose ThePiousBirdofGoodOmen FleetwoodMacinChicago BlackMagicWoman TheOriginalFleetwoodMac GreatestHits VintageYears GreatestHits 25Years–TheChain MadisonBlues TheVaudevilleYears TheCompleteBlueHorizonSessions1967–1969 Show-BizBlues TheBestofPeterGreen'sFleetwoodMac TheVeryBestofFleetwoodMac TheEssentialFleetwoodMac 50Years–Don'tStop Livealbums Live LiveinBoston LiveattheBBC TheDance Shrine'69 LiveinBoston Singles "IBelieveMyTimeAin'tLong" "ShakeYourMoneymaker" "BlackMagicWoman" "NeedYourLoveSoBad" "Albatross" "ManoftheWorld" "OhWell" "RattlesnakeShake" "TheGreenManalishi(WiththeTwoProngCrown)" "Dragonfly" "SentimentalLady" "ForYourLove" "WarmWays" "OverMyHead" "Rhiannon" "SayYouLoveMe" "GoYourOwnWay" "Dreams" "Don'tStop" "YouMakeLovingFun" "Tusk" "Sara" "NotThatFunny" "ThinkAboutMe" "SistersoftheMoon" "HoldMe" "Gypsy" "LoveinStore" "OhDiane" "Can'tGoBack" "BigLove" "SevenWonders" "LittleLies" "FamilyMan" "Everywhere" "Isn'tItMidnight" "AsLongasYouFollow" "SaveMe" "IntheBackofMyMind" "SkiestheLimit" "LoveIsDangerous" "LoveShines" "PaperDoll" "IDo" "TemporaryOne" "TheChain"(live) "SilverSprings"(live) "Landslide"(live) "Peacekeeper" "SayYouWill" "SadAngel" Othersongs "HellhoundonMyTrail" "StopMessin'Round" "DustMyBroom" "MadisonBlues" "ICan'tHoldOut" "EveryDayIHavetheBlues" "SugarMama" "RockMeBaby" "Somebody'sGonnaGetTheirHeadKickedinTonite" "GreatBallsofFire" "MissionBell" "(I'ma)RoadRunner" "Hypnotized" "MondayMorning" "BlueLetter" "WorldTurning" "I'mSoAfraid" "SecondHandNews" "NeverGoingBackAgain" "Songbird" "IDon'tWanttoKnow" "OhDaddy" "GoldDustWoman" "WalkaThinLine" "IKnowI'mNotWrong" "BrownEyes" "TangointheNight" "NoQuestionsAsked" "TallahasseeLassie" "MurrowTurningOverinHisGrave" Concerttours FleetwoodMacTour RumoursTour TuskTour MirageTour ShaketheCageTour BehindtheMaskTour Unleashed OnwiththeShow AnEveningwithFleetwoodMac Relatedarticles Discography Bandmembers BuckinghamNicks LindseyBuckinghamChristineMcVie Tramp Stretch Bekka&Billy TheBiggestThingSinceColossus BluesforGreeny JustTellMeThatYouWantMe:ATributetoFleetwoodMac "Rumours"(Gleeepisode) JohnMayall&theBluesbreakers CliffordDavis BrettTuggle Category vteGrammyAwardforAlbumoftheYear1959–1979 TheMusicfromPeterGunn–HenryMancini(1959) ComeDancewithMe!–FrankSinatra(1960) TheButton-DownMindofBobNewhart–BobNewhart(1961) JudyatCarnegieHall–JudyGarland(1962) TheFirstFamily–VaughnMeader(1963) TheBarbraStreisandAlbum–BarbraStreisand(1964) Getz/Gilberto–StanGetz&JoãoGilberto(1965) SeptemberofMyYears–FrankSinatra(1966) AManandHisMusic–FrankSinatra(1967) Sgt.Pepper'sLonelyHeartsClubBand–TheBeatles(1968) BytheTimeIGettoPhoenix–GlenCampbell(1969) Blood,Sweat&Tears–Blood,Sweat&Tears(1970) BridgeoverTroubledWater–Simon&Garfunkel(1971) Tapestry–CaroleKing(1972) TheConcertforBangladesh–GeorgeHarrison&Friends(1973) Innervisions–StevieWonder(1974) Fulfillingness'FirstFinale–StevieWonder(1975) StillCrazyAfterAllTheseYears–PaulSimon(1976) SongsintheKeyofLife–StevieWonder(1977) Rumours–FleetwoodMac(1978) SaturdayNightFever–VariousArtists(1979) 1980–1999 52ndStreet–BillyJoel(1980) ChristopherCross–ChristopherCross(1981) DoubleFantasy–JohnLennon&YokoOno(1982) TotoIV–Toto(1983) Thriller–MichaelJackson(1984) Can'tSlowDown–LionelRichie(1985) NoJacketRequired–PhilCollins(1986) Graceland–PaulSimon(1987) TheJoshuaTree–U2(1988) Faith–GeorgeMichael(1989) NickofTime–BonnieRaitt(1990) BackontheBlock–QuincyJonesandVariousArtists(1991) Unforgettable...withLove–NatalieCole(1992) Unplugged–EricClapton(1993) TheBodyguard–WhitneyHouston(1994) MTVUnplugged–TonyBennett(1995) JaggedLittlePill–AlanisMorissette(1996) FallingintoYou–CelineDion(1997) TimeOutofMind–BobDylan(1998) TheMiseducationofLaurynHill–LaurynHill(1999) 2000–2019 Supernatural–Santana(2000) TwoAgainstNature–SteelyDan(2001) OBrother,WhereArtThou?–VariousArtists(2002) ComeAwaywithMe–NorahJones(2003) Speakerboxxx/TheLoveBelow–Outkast(2004) GeniusLovesCompany–RayCharles&VariousArtists(2005) HowtoDismantleanAtomicBomb–U2(2006) TakingtheLongWay–DixieChicks(2007) River:TheJoniLetters–HerbieHancock(2008) RaisingSand–RobertPlant&AlisonKrauss(2009) Fearless–TaylorSwift(2010) TheSuburbs–ArcadeFire(2011) 21–Adele(2012) Babel–Mumford&Sons(2013) RandomAccessMemories–DaftPunk(2014) MorningPhase–Beck(2015) 1989–TaylorSwift(2016) 25–Adele(2017) 24KMagic–BrunoMars(2018) GoldenHour–KaceyMusgraves(2019) 2020–present WhenWeAllFallAsleep,WhereDoWeGo?–BillieEilish(2020) Folklore–TaylorSwift(2021) vteJunoAwardforInternationalAlbumoftheYear1970s 1975:PaulMcCartneyandWings–BandontheRun 1976:EltonJohn–GreatestHits 1977:PeterFrampton–FramptonComesAlive! 1978:FleetwoodMac–Rumours 1979:BeeGees–SaturdayNightFever 1980s 1980:Supertramp–BreakfastinAmerica 1981:PinkFloyd–TheWall 1982:JohnLennon&YokoOno–DoubleFantasy 1983:MenatWork–BusinessasUsual 1984:ThePolice–Synchronicity 1985:BruceSpringsteen–BornintheU.S.A. 1986:DireStraits–BrothersinArms 1987:Madonna–TrueBlue 1988:noawardceremonyheld 1989:VariousArtists–DirtyDancing 1990s 1990:MilliVanilli–GirlYouKnowIt'sTrue(Disqualified) 1991:MCHammer–PleaseHammerDon'tHurt'Em 1992:VanillaIce–TotheExtreme 1993:BryanAdams–WakingUptheNeighbours 1994:WhitneyHouston–TheBodyguard 1995:CelineDion–TheColourofMyLove 1996:TheCranberries–NoNeedtoArgue 1997:CelineDion–FallingintoYou 1998:SpiceGirls–Spice 1999:CelineDion–Let'sTalkAboutLove 2000s 2000:BackstreetBoys–Millennium 2001:Eminem–TheMarshallMathersLP 2002:Shaggy–HotShot 2003:Eminem–TheEminemShow 2004:50Cent–GetRichorDieTryin' 2005:GreenDay–AmericanIdiot 2006:BlackEyedPeas–MonkeyBusiness/Coldplay–X&Y 2007:DixieChicks–TakingtheLongWay 2008:Rihanna–GoodGirlGoneBad 2009:Coldplay–VivalaVidaorDeathandAllHisFriends 2010s 2010:KingsofLeon–OnlybytheNight 2011:KatyPerry–TeenageDream 2012:Adele–21 2013:Mumford&Sons–Babel 2014:BrunoMars–UnorthodoxJukebox 2015:SamSmith–IntheLonelyHour 2016:Adele–25 2017:Coldplay–AHeadFullofDreams 2018:KendrickLamar–Damn 2019:PostMalone–Beerbongs&Bentleys 2020s 2020:BillieEilish–WhenWeAllFallAsleep,WhereDoWeGo? 2021:HarryStyles–FineLine vteBillboardYear-Endnumberonealbums1956–1975 1956:Calypso–HarryBelafonte 1957:MusicfromMyFairLady–OriginalCast 1958:MusicfromMyFairLady–OriginalCast 1959:TheMusicfromPeterGunn–HenryMancini 1960:MusicfromTheSoundofMusic–OriginalCast 1961:Camelot–OriginalCast 1962:WestSideStory–Soundtrack 1963:WestSideStory–Soundtrack 1964:MusicfromHello,Dolly!–OriginalCast 1965:MaryPoppins:OriginalCastSoundtrack–Soundtrack 1966:WhippedCream&OtherDelights–HerbAlpert&theTijuanaBrass 1967:MoreoftheMonkees–TheMonkees 1968:AreYouExperienced–TheJimiHendrixExperience 1969:In-A-Gadda-Da-Vida–IronButterfly 1970:BridgeoverTroubledWater–Simon&Garfunkel 1971:JesusChristSuperstar–Soundtrack 1972:Harvest–NeilYoung 1973:TheWorldIsaGhetto–War 1974:GoodbyeYellowBrickRoad–EltonJohn 1975:GreatestHits–EltonJohn 1976–2000 1976:FramptonComesAlive!–PeterFrampton 1977:Rumours–FleetwoodMac 1978:SaturdayNightFever–Soundtrack 1979:52ndStreet–BillyJoel 1980:TheWall–PinkFloyd 1981:HiInfidelity–REOSpeedwagon 1982:Asia–Asia 1983:Thriller–MichaelJackson 1984:Thriller–MichaelJackson 1985:BornintheU.S.A.–BruceSpringsteen 1986:WhitneyHouston–WhitneyHouston 1987:SlipperyWhenWet–BonJovi 1988:Faith–GeorgeMichael 1989:Don'tBeCruel–BobbyBrown 1990:JanetJackson'sRhythmNation1814–JanetJackson 1991:MariahCarey–MariahCarey 1992:Ropin'theWind–GarthBrooks 1993:TheBodyguard–Soundtrack 1994:TheSign–AceofBase 1995:CrackedRearView–Hootie&theBlowfish 1996:JaggedLittlePill–AlanisMorissette 1997:Spice–SpiceGirls 1998:Titanic:MusicfromtheMotionPicture–JamesHorner 1999:Millennium–BackstreetBoys 2000:NoStringsAttached–NSYNC 2001–present 2001:1–TheBeatles 2002:TheEminemShow–Eminem 2003:GetRichorDieTryin'–50Cent 2004:Confessions–Usher 2005:TheMassacre–50Cent 2006:SomeHearts–CarrieUnderwood 2007:Daughtry–Daughtry 2008:AsIAm–AliciaKeys 2009:Fearless–TaylorSwift 2010:IDreamedaDream–SusanBoyle 2011:21–Adele 2012:21–Adele 2013:The20/20Experience–JustinTimberlake 2014:Frozen–Soundtrack 2015:1989–TaylorSwift 2016:25–Adele 2017:Damn–KendrickLamar 2018:Reputation–TaylorSwift 2019:WhenWeAllFallAsleep,WhereDoWeGo?–BillieEilish 2020:Hollywood'sBleeding–PostMalone 2021:Dangerous:TheDoubleAlbum–MorganWallen AuthoritycontrolGeneral IntegratedAuthorityFile(Germany) Other MusicBrainzreleasegroup 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